Festival - Cover Maud Pizon

Festival C'est comme ça ! Cover Maud Pizon / Brasles

Concerts, Shows and Conferences, Show in Brasles
From :  3 Full-fare
  • In contrast to the original version, Cover lends an unusual resonance to repertoire pieces, in the manner of Nina Simone's interpretation of Franck Sinatra's My Way. But here, it's the body that becomes the voice.

    As in a concert, three musicians and a dancer form a rock band in front of us. Maud Pizon asks the question: is it possible to write a choreographic cover in the same way as a musical cover? In a multitude of dance solos, far from the archival research common in the interpretation...
    In contrast to the original version, Cover lends an unusual resonance to repertoire pieces, in the manner of Nina Simone's interpretation of Franck Sinatra's My Way. But here, it's the body that becomes the voice.

    As in a concert, three musicians and a dancer form a rock band in front of us. Maud Pizon asks the question: is it possible to write a choreographic cover in the same way as a musical cover? In a multitude of dance solos, far from the archival research common in the interpretation of repertory pieces, the choreographer has fun varying tempo and style. She goes against the grain of the original work to reveal a new expression, re-enacting Mary Wigman's The Witch's Dance as if it were her own
    Yael Naïm appropriates Britney Spears' Toxic. Creating bridges between popular and scholarly repertoires, the choreographer brings music and dance into dialogue with micro-sculptures.


    Dance concept/performance Maud Pizon / Music performance Yuko Oshima (Drums), Christelle Séry (Guitar), Olivia Scemama (Bass) / Outside view Sonia Delbost-Henry / Set design Laurent Eisler, assisted by Johanne Bailly / Costumes Paul Andriamanana / Lighting design Abigail Fowler / Sound control Mélodie Souquet and Lucie Laricq
  • Rates
  • Single fixed rate
    From 5 €
  • Single fixed rate
    From 3 €
  • Single fixed rate
    From 3 €
Schedules
Schedules
  • On October 11, 2024
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